Meredith-Straus, Conservator Julia Brennan, and Denver Art Museum Curator of Textiles Alice Zrebiec examine some of the Queen’s gowns in the QSMT conservation lab
Display of the Queen’s fashions at the QSMT, Bangkok
Phrae wa technique, Siam Society Collection, Bangkok
Tilleke & Gibbins Collection, Bangkok
Tilleke & Gibbins Collection, Bangkok
Khon dancer
Khon dancers
Substances used for cotton dyeing at Pa Da Textile Museum
Pavillion of looms at Baan Khampun
A few of Baan Khampun’s antique silk reelers
Collection of charming antique heddle pulleys at Baan Khampun
Unique carved loom that the owner of Baan Khampun had made for his mother
Old reel holders in the form of Nagas at Baan Khampun
Supplementary weft decoration added to ikat at Baan Khampun
Silk reels at Baan Khampun
Collection of old wooden warping racks at Ban Khampun
Dyeing silk for dyeing with palm fiber at Baan Khampun
Tyeing ikat at Ban Khampun
Fashion show at Baan Tha Sawang
Baan Tha Sawang embroidery with green sequins are made from beetle wings
Baan Tha Sawang silk and metallic thread brocade
Pattern sticks and harnesses on the draw loom at Baan Tha Sawang
Silk and metallic thread brocade, woven from the back on the draw loom
Large scale draw loom Baan Tha Sawang
Tying patterns for ikat dyed cloth
Mat Mee ikat at Baan Na Pho
Mat mee ikat yardage at Baan Na Pho
Dried flowers for dyes
Fermenting indigo at Baan Tha Sawang
Silk tied in preparation for dying
Distribiting mature worms into trays to make cocoons
All stages of sericulture in progress
Feeding silkworms fresh mulberry leaves
Mature silk worms ready for sleep
Silk cocoons ready to reel
Hand reeling silk from boiling cocoons
Baan Hua Saphan ikat sarong
Baan Hua Saphan village ladies performing welcome dance
Baan Hua Saphan logo
Textile demonstrating phrae wa supplementary weft technique
Phu Thai weavers
Phu Thai weavers wearing phrae wa shoulder cloths
Silk dyed with natural substances at Patricia Cheesman’s studio, Naenna
Tied off ikat at Studio Naenna
Textile from Patricia Cheesman’s collection
Weaving a band, Baan Pon
‘Weaving Royal Traditions Through Time’, the first international symposium to take place at the Queen Sirikit Museum of Textiles (QSMT) in Bangkok, Thailand took place from 5 – 9 November 2013. The event, organised by the QSMT with the assistance of former LACMA and FAMSF textile curators Dale Carolyn Gluckman and Melissa Leventon, offered special opportunities to see behind the scenes at the new museum and visit private collections of Southeast Asian textiles not accessible to the general public, as well as a post-conference Thai textiles tour.
Cheri Hunter of the Textile Museum Associates of Southern California was one of a sizeable group who attended. We are delighted to be able to share a selection of her fascinating photographs of events. These included performances by traditional Khon dancers in costume, a fashion show flaunting the allure of Thai silk, a visit to the conservation lab at QSMT and viewing of textiles from the collections of the Siam Society, Tilleke & Gibbins, Udom Riantrakool and others, along with visits to the Pa-Da Textile Museum and the Baan Khampun and Baan Na Pho ikat dye plants and weaving studios. The symposium and tour demonstrated that a rich textile industry still thrives in Thailand and is showcased adeptly by the QSMT.
The QSMT’s mission is ‘…to serve as a centre for all who wish to learn about textiles, past and present, from Southeast, South and East Asia… with special emphasis on costume and textiles pertaining to the royal court… and to create public awareness of Thai identity and culture and the beauty of Thai traditional textiles, through research, exhibition and interpretation’.
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