Anatomy of an Object: Tushetian Kilim
A striking kilim recently offered by Istanbul dealer Şeref Özen is typical of 19th-century flatweaves from the mountainous region of Tusheti in northeast Georgia. Rachel Meek investigates.
A striking kilim recently offered by Istanbul dealer Şeref Özen is typical of 19th-century flatweaves from the mountainous region of Tusheti in northeast Georgia. Rachel Meek investigates.
Christie’s Louise Broadhurst views spectacular carpets and textiles at an exhibition in Urbino.
A structural uniformity is disguised by apparent randomness caused by the extensive colour range used in the field of this classical carpet in the Beijing Palace Museum
Christie’s Louise Broadhurst spots spectacular carpets and textiles at an exhibition in Florence.
A historian by profession, Professor Marco Spallanzani has made a name for himself in carpet circles through his detailed and illuminating scholarly research in Italian archives and historic inventories.
From HALI 195: Ralph Kaffel focuses on a Caucasian prayer rug with the ‘Boteh Khila’ design
A newly opened gallery in London will place carpets—and this summer, Central Asian suzanis—at the heart of its programme. HALI Editor Ben Evans visits.
Two resist-dyed trade cloths with roots on India’s Coromandel Coast have serious cross-cultural credibility. HALI Assistant Editor Rachel Meek compares an Indian hanging in India with a skirt cloth made for Indonesia and now in the Netherlands.
The Lady and the Unicorn tapestry series, from the Musée de Cluny in Paris, is on show at the Art Gallery of New South Wales in Sydney, Australia until 24 June 2018.
Executive Editor Daniel Shaffer previews the ‘Collection Adil Besim’ sale at Dorotheum.